The Robinson Institute, Tate Britain, London, 27 March – 14 October 2012
The City of the Future, BFI Southbank Gallery, London, 23 November 2007 – 3 February 2008
Londres, Bombay, Le Fresnoy, Tourcoing, 12 October – 24 December 2006
The City of the Future, FACT, Liverpool, 28 May – 27 June 2004
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Group Exhibitions
I Wish . . . Shandy Hall Gallery, Coxwold, 20 May – 31 August 2023
Transformation, Oh and Oh, Beauty, Ruin and Fear, PLATO Ostrava, Czech Republic, 12 – 30 May 2021
The Willow Tree Sees the Image of the Heron, TEA Tenerife, 20 June – 4 October 2020
The Flourish of Liberty, Shandy Hall Gallery, Coxwold, 16 June – 31 August 2019
A Machine Desires Instruction as a Garden Desires Discipline, MARCO, Museo de Arte Contemporána de Vigo, 13 September 2013 – 2 February 2014; FRAC Lorraine, Metz, 7 March – 4 May 2014; Alhóndiga Bilbao (now Azkuna Zentroa), 26 June – 7 September 2014
The Emblem of My Work, Shandy Hall Gallery, Coxwold, 3 September – 31 October 2011
Never the Same River (Possible Futures, Probable Pasts), Camden Arts Centre, London, 16 December 2010 – 20 February 2011
The Black Page, Shandy Hall Gallery, Coxwold, 5 September – 31 October 2009
Making History: Art and Documentary in Britain from 1929 to Now, Tate Liverpool, 3 February – 23 April 2006
A Century of Artists’ Film in Britain, Tate Britain, London, 19 May 2003 – 18 April 2004
Richard Wentworth’s Thinking Aloud, Kettle’s Yard, Cambridge; Cornerhouse, Manchester; Camden Arts Centre, London, 1998-1999
The Director’s Eye, Museum of Modern Art, Oxford, then Warwick, York, Rye, Hartlepool, Tokyo, Osaka, 1995-1998
The British Art Show 1990, McLellan Galleries, Glasgow; Leeds City Art Gallery; Hayward Gallery, London, 1990
Archive film installation for exhibition An Architecture of Understanding: Walter Segal 1907-1985, Royal Festival Hall, London, 1988
Charting Time, Serpentine Gallery, London; Hatton Gallery, Newcastle upon Tyne, 1986-1987
Cross Currents: Ten Years of Mixed Media, Royal College of Art, London, 1984
Artists and Sound, Tate Gallery, London, 1982
Patrick Keiller 